First off, who greenlighted the title? "The Voice." Really? That's the best you can do? I'm trying to come up with a better name, but I guess if I could do that I'd be producing tv shows instead of blogging. Anything I can think of would inadvertently define it, and that's kind of why such a generic choice as "The Voice" was chosen I suppose. Cuz ultimately what makes this show work is how it doesn't seek to define what "The Voice" really is. Unlike a show that I can't help but compare it to: American Idol. Although the more I learn about The Voice the less I can compare it to American Idol.
Yes NBC's The Voice is incredibly corny. Yes it's wagging the dog. Yes the producers are kinda scatterbrained in their execution & the coaches seem a little coached themselves. It doesn't matter. For all its insecurities & blemishes, NBC's new reality karaoke game show series "The Voice" is silly stupid fun and I'm on board for the ride.
I almost disregarded "The Voice" entirely for the same reason I ignore most reality shows. It's not reality. It's slickly produced faux reality based loosely off the lives of people willing to allow themselves to be used & abused in hopes they might be able to squeeze a little fame & fortune out of being totally embarrassed by strangers in front of America and the world.I have watched some reality shows. I enjoyed Fear Factor immensely and currently am a fan of Wipeout. These shows know what they are and don't pretend to be loftier. They're just entertaining. Most other reality shows try to turn people's every day lives into anything from afterschool specials to re-enactment docudramas. It's insulting to my intelligence. I have made some exceptions over the years but most of the time I surf on. American Idol discouraged me after the first season. Simon Cowell was a bore. It's not that he was arrogant or insulting. I could almost admire that. He was trying to give a dose of actual reality to these starry eyed wannabes. Performing for a living is effing hard. You're gonna get a lot of rejection, and if you don't have something that makes you stand out like a greased pig on fire in a quiet library, you might as well not quit your day job. I speak from some personal experience here.
What changed my mind about The Voice was a happy accident that happened over at YouTube. I accidentally saw part of a performance by one of the contestants on The Voice and was blown away by the guy. So much so I had to check his whole performance out on Hulu.com and eventually the entire show. I thought it was cool that like me, he was a ..shall we say ..pleasantly plump dude. He did not appear to me to be someone that the producers of American Idol would even take remotely serious. I had assumed The Voice was like American Idol; a show looking for a specific sound that's just this side of an autotuned Whitney Houston on a bad day. However, if Jeff Jenkins could make it on The Voice and be taken seriously for his talent, with little to no mention at all about his Pillsbury doughness, this might be the kinda show I could support. Why? Cuz I am Pillsbury doughness too. At the very least, The Voice looked like it was gonna cater to my demographic. So I thought I'd give it a shot.
Much to my surprise, it's not catering to my demographic. It's catering to a much wider range of demographics. There's four different "coaches" competing, as opposed to three "judges" trying to make nicey and predictably failing. This expands the potential for new and different possibilities across a much wider spectrum. So there's bound to be something (and someone singing) for everybody. That's a very good thing. Also the way the blind auditions were run is much more promising. You got four talented, known celebrities with their backs to the contestants. So what a person looks like is inconsequential to their talents as singers. Very nice idea. This inevitably sets up a very artificial sense of suspense and excitement as the celebrity chooses or doesn't choose to turn around and accept the tyros. Then if two or more celebrities make their interests in the contestant known, the contestant gets to decide which famous, knowledgeable person they want to be mentored by; essentially "judging" them. Unique device, as reality shows go. Most celebrities wouldn't necessarily be comfortable being put in this position, but these four handle it surprisingly well (at least in front of camera thanks to some spirited editing).
As of this writing I've only seen the first two episodes, and yes I can see that the entire series is produced in such a way as to pull at my heartstrings and manipulate me. They're rather blatant about it. For some reason, I don't seem to mind. It's kinda like when America's Got Talent does that. The fact they're blatant about it makes it less annoying. Slightly.
I would prefer if somehow NBC's The Voice could be set up so that I can't see the contestant until after they have started singing, and preferably until after the first celebrity turns around, because that to me would be a more dramatic way of doing this, but then perhaps that WOULD be manipulating me. I guess a way to play along at home would be to close my eyes as each contestant is being introduced until I can't stand it anymore, but this ain't radio.
Another thing that usually bothers me about shows like this is how it wants ppl to choose one talent over another or one team over another. I'm not much of a fan of competitive sports for just this reason. I don't normally buy that team X is better than team Y because of Z. That attitude usually bothers me. I want everyone to win and I think people should compete with their past selves, persevering to improve themselves rather than compare themselves to other people on other life voyages taking different paths. Some people will tell you that Christopher Cross is better than Michael Franks or The Rolling Stones beat The Beatles. I find that to be silly. Those contests are artificial and besides in terms of longevity and showmanship, whether you like him or not, Neil Diamond beats EVERYBODY, dead, alive, or undead. There's no contest. The winner's already been crowned for eternity. So it's all pointlessly academic beyond Neil.
I chose a team early on and have so far been steadfastly loyal. Of course I want everyone to win, and there are talented voices on the other three teams that I also enjoy, but when Jeff Jenkins picked Adam Levine, I did too. And the more I learn about this guy, the happier I am with that choice.
I gotta admit prior to "The Voice" I wasn't a fan of any of the four coaches on the show. I'd heard of Christine Aguilera before of course, and of course I couldn't ignore her vocal talents, but like Madonna & many others like her in modern music, she goes in a direction of pop that just doesn't speak to me at all. Cee Lo Green is a great talent and I've enjoyed songs like Fuck You and Crazy but I knew those songs as being done by "Gnarls Barkley" and didn't connect the dots until The Voice. Like some still mistake Jethro Tull, Pink Floyd and Monty Python as The Person and not the name of a band, I didn't realize Cee Lo Green was only half of Gnarls Barkley.
I don't listen to country much nowadays. As a kid I liked Kenny Rogers a lot and had a passing fancy with CB oriented country music like Red Sovine and Jerry Reed. I have mostly negative opinions of country music, with some exceptions. I acknowledge it's very popular, and I respect it as a genre, but it personally doesn't interest me. When I do like it, it's usually cuz the song has rock or folk influences & doesn't twang, therefore the "country" song works for me cuz it's not "too" country. Kinda defeating the purpose of listening to country music. Blake Shelton has never registered with me before The Voice, so let's just say I'm finding myself taking a crash course in country music by just watching this guy at work.
Maroon 5 is one of those bands I may have heard before but didn't pay attention to the name. I've since started exploring YouTube for examples of Adam Levine at work and I gotta admit I like the sound. There's a YouTube video of "Never Get Out of This Bed" and while I think the video is dumb, the music is kick. Levine is an example of sound I'd actually go out and buy, if I had expendable income. He's kinda rock, kinda folk, kinda jazz, kinda funky. He's a little of everything. He likes to experiment with styles and genres & doesn't like being categorized. In my youth I called this "alternative music." Everything from Oingo Boingo to REM to Devo to Elvis Costello to Edie Brickel and the New Bohemians to Madness to Siouxsie and the Banshees to Simply Red. I know I'm dating myself here. Adam Levine is an example of The Next Generation. What I'd probably be listening to if I were 20 years younger.
As far as I can tell, the producers seem to be painfully aware that The Voice will be compared to American Idol. It's kinda impossible not to, so in some ways they've gone out of their way to be as far away from AI as possible, while in other ways they purposefully cater to that part of the audience which needs that familiarity. The basic set up is the same. Contestants are competing for spots by performing live before "judges" but since these judges are also really coaches aka mentors, that changes the dynamics in ways that cause the show to organically stray from that formula. So NBC's The Voice purposefully starts at American Idol and then also purposefully resets the bar.
Looking at each judge in turn, Christine Aguilera's #TeamXtina is what I'd call "The Benchmark." Another way to put it is "American Idol Plus." If the producers consider every contestant they have to be a cut above American Idol, Christine's picks represent the players who are just above that plastic ceiling. Aguilera instinctively goes for a sound that is very pop and sleek, much like the stereotypical American Idol sound, and the producers may have either purposefully or subconsciously intended that. However, C.A. is also listening for what she calls "adlibs" and "runs" and "riffs." When C.A. sings she goes up and down the scale in ways that trigger deep emotions in the listener. An example of this is Frenchie Davis, who can riff and adlib and coincidentally competed on American Idol a few years ago. Christine doesn't want to have to teach how to adlib. She's looking for that ability in those she chooses for her team so Christina is essentially listening for herself in the blind auditiions. That's not necessarily a bad thing. She knows that works, but of the four celebrity coaches on The Voice, Aguilera is the least willing to venture outside her comfort zone. Also interesting to note, she only has one guy, Justin Grennan, on her team.
Speaking of comfort zones, while Blake Shelton was willing to step outside his a bit more than Christine Aguilera, he still remained firmly in his country roots and his eight picks strongly reflect that. This is understandable. Country is a very popular style. It's his strength. It's why he's in that chair. It's how he's made a name for himself. Go with what works. Don't reinvent the wheel. How boring. I currently see Blake Shelton as "The Safe Bet" and if I were a country fan I'd obviously pick him to win this. If the majority of fans of The Voice aren't looking for something new but want to hear a Voice that makes them comfortable, then one of Blake's picks will ultimately win this. I don't want safe tho. Where's the fun in that? I'd like to point out that Shelton has on his team a Texan named Patrick Thomas. Being Texan myself, if he ultimately wins this thing, I'd still kinda win. Shelton also has one of two duos contestants, known as ElenOwen.
The other duo, Tori & Taylor, belongs to Cee Lo Green, as does another fellow Texan, Nakia. The idea of a comfort zone doesn't seem to apply to Cee Lo Green. He amassed the most varied and provacative team of all four coaches. From Tje Austin to Kelsey Rey, we're looking at daring and sedate, sullen to explosive, a lot of extremes but not a lot of safe. This is not to say he has the best team. Cee Lo has what I'd call a sink or swim team. Either he will win this thing by building a better mousetrap and reinventing the wheel and performing a few other miracles before breakfast, or he will fail magnificently. Either way, it'll be entertaining television, so I'm calling #TeamCeeLo "The Wild Card."
Obviously "The Team To Beat" is #TeamAdam. Adam Levine's selections seemed rather touch and go during the first two episodes, but there was a method to his madness. He readily admitted when he picked Tim Mahoney, with his back turned he thought he was listening to a sultry siren vixen female. Imagine his surprise to find that voice coming out of a man's adam's apple. Adam didn't let that phase him ..much. It's an indication of how he was listening for different and out of the ordinary sounds. Curiously, on multiple occasions Cee Lo and Adam would turn their chairs at almost the same time. So either their instincts are similar when it comes to listening for talent, or one of them was following the other's lead. Since I'm rooting for Adam, naturally I have to assume it was Cee Lo tugging on Levine's coat tails, although I of course have no evidence to corroborate that.
I've already expressed at length my appreciation for Jeff Jenkins. He's the real reason I'm watching this thing. However, he's but one feather in Adam Levine's cap. Rebecca Loebe stole my heart during her audition. She reminds me of talented local women here in north Texas whose careers I've been following for a long time. Annie Benjamin, Annette Conlon, Courtney Fairchild & Kristy Kruger but to namedrop a few. These names should mean much more to you than I bet they do and their music has gotten me through thick & thin. I'm forever grateful to them. Casey Weston also has that spark that makes listening to music euphoric for me. I am such a sucker for a lady wielding a guitar. Javier Conlon reminds me of such talents as Harry Belafonte and Bobbie McFerrin. He has that jovial spirit and an obvious infectious love for the craft and art of singing. There's a party in his heart and he wants to invite everybody. Angela Wolff is the Underdog. Always the bridesmaid never the bride. She's performed in the past as a backup singer for other stars, but never had a chance to really shine on her own. She's hoping this will be her chance to break free and I share that hope for her. Devon Barley is a man trapped in two worlds, but he's following his heart which is obviously a greater risk. However, like most of Levine's choices he obviously doesn't like to play it safe. I don't recall getting to hear Casey Desmond. I guess the producers are holding her back as some kind of reveal later in the season.
The One That Got Away is curious to me. Sonia Rao made me wish I could push a button, turn my chair around, and keep her on the show. Even though the coaches had two chances to pick her, they passed her by both times. In Sonia's first audition there was a point where she sang the word "don't" in a way that felt like a puppy licking my nose. Definite tingles. Very subtle but effective. I really enjoyed her audition and am at a loss why she got snubbed by all four coaches. I really would have liked to see what Cee Lo Green could have done for her. When he turned around and saw how physically strikingly beautiful she is, he gave his trademark "hey pretty girl" which has since started the use of that phrase as a hashtag on Twitter. However Rao's vocals didn't turn him on and I really don't see how that was possible. She has such a haunting and evocative lilt to her voice. I'm following her now on Twitter and hope this isn't the last we hear of her amazing sound.
So that's what I got so far to say about The Voice. Let me hear what you have to say.